Rarely staged in North Texas, do not miss your chance to experience this play, by one of America’s greatest playwrights as it is performed in RIchardson this October.
Rarely seen on DFW stages, The Classics Theatre Project brings audiences an intensely intimate and provocative production of Eugene O’Neill’s THE HAIRY APE: A COMEDY OF ANCIENT AND MODERN LIFE IN EIGHT SCENES, October 13-November 6 at The Core Theatre in Richardson. Adapted and directed by Joey Folsom, with an original score created and performed live by Braden Socia and Petra Milano, the ensemble cast tackles O’Neill’s take on expressionism in this work that directly challenges the underlying ... view more »
Rarely seen on DFW stages, The Classics Theatre Project brings audiences an intensely intimate and provocative production of Eugene O’Neill’s THE HAIRY APE: A COMEDY OF ANCIENT AND MODERN LIFE IN EIGHT SCENES, October 13-November 6 at The Core Theatre in Richardson. Adapted and directed by Joey Folsom, with an original score created and performed live by Braden Socia and Petra Milano, the ensemble cast tackles O’Neill’s take on expressionism in this work that directly challenges the underlying rags-to-riches mythology of America and powerfully examines the effects of alienation in the modern world.
Considered explosive and revolutionary in 1922, Eugene O’Neill’s blending of expressionism and naturalism in THE HAIRY APE went on to stay at the core of the then developing style of American theatre. Through his simplification of characters and events in the play, its deeper truths about the search for self-worth, self-pride, and social belonging take center stage. Through eight scenes, the story unfolds of anti-hero Yank, a strong and unthinking stoker on a ship. He feels secure of his place and in his power to make the ship move until he is called a filthy beast by the overbred daughter of a steel merchant. Yank experiences an awakening of consciousness that leads him off his ship and on a journey through both the wealthy neighborhoods and disenfranchised underbelly of New York, only to find he does not belong anywhere – not with the socialites on 5th Avenue, or the laborers on the waterfront. Throughout his search for belonging, Yank only experiences the dehumanizing effects of a modernized and industrialized world as his mental state disintegrates into its most primal until, ultimately, he is defeated by the very thing inside himself he had been fighting all along, a filthy ape.
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